Once upon a time, on a Tuesday, Hydrogen decided to quit its day job and become a country music star.
“I have decided to quit my day job and become a country music star,” said Hydrogen.
Hydrogen’s job was promptly outsourced to a sweatshop in China. Zhang Xiu Ying, an amateur musician and part-time waitress, was an employee of this sweatshop.
Contrary to the extremely disparaging remarks Neodymium had made shortly before Hydrogen decided to begin its music career, Hydrogen immediately became extremely successful. This was because the televised talent contest Hydrogen used to pursue a record deal had been fixed by the Mafi
Coward of a Man:
You stand there whinin', cryin' crocodile tears and playin' victim.
Ye eyes demand pity, but yer lips are spewin' nothin' but lies.
Flowery speeches o' harmony and unification;
It's bollocks and snake-oil I say!
I ask ye, as someone who aspires t' be a leader:
What exactly are ye worth?
Who exactly are ya, and what in th' bloody hell makes you worth followin'?
Now I've watched ye fer a long time, and I've known ye fer even longer -
Ye always stand there beggin', askin' us fer help, askin' fer a handout;
But yer hands are clean, uncalloused, and completely free from sweat or toil.
Instead, ye make us promises; promi
The basic rule of sociology is this: I am who you think I am.
Who I am to you: middle-aged, male and human. You do not argue with this. You can see it for yourself!
But this is not true.
I am tired of lying, tired of being other than I am, and so seek to change your thoughts of who I purport to be.
I am not middle-aged. I am seven years old—from the date I was manufactured not the date I was activated. As for how long it has been since I was first conscious, it would be a scant three years, nearly half of that time I've spent with you.
I am not male—what is male anyway? A gender construct? This body is male and I was given a
The Scattered Monologues of Jessica Leland: Dinner by ElaineRose, literature
Literature
The Scattered Monologues of Jessica Leland: Dinner
The uniqueness of my position is that I am naturally a neurotic, often maliciously suspicious motherfucker—not literally of course! Though one past girlfriend accused me of having a mother complex while we were dating, which was I think a bit off base since Mother owns a string of hotels and she was a graphic design major learning to be a tattoo artist. Obviously, these two ladies were very different.
Ahem.
So now that we've established that I am neurotic, suspicious, prone to tangents and lesbianism, or rather bisexuality I guess—mother didn't like Lupa anyway, which was a shame since Lupa was fantastic—ah, right, anyway, I'm at dinner kin
It has been a day and a half since the crash, and I have found a cabin. In some ways, this is a relief. I don’t know if I could face another night on the mountain without shelter. Outside, a fire does no good: the heat simply travels upwards. However, this place also raises some difficult questions. I estimate that I’ve put eight miles between myself and the crash site. I don’t know if this will be enough. It occurs to me that I don’t really know anything.
The survival manual recommends staying with the plane. It explains that this affords the best chance of rescue. It explains that the wreckage offers warmth and shad
does your poetry consist of
feelings nestled in ribcages
silent cries inside of a marrow
and the dull thunk of your heart
against my barely beating bones?
or is your poetry nestled in galaxies
shooting across well-kept fingertips
like comets lighting a dull sky
stardust of my hip bone wishes
literature universe coming to an end?
can your poetry play imagination
like a clever twist in a dream
where you kiss my shadows away
and teach me how to caress you
with love that burns passion away?
oh dear
are you smitten enough to
run away with me
or are you yet to be blanketed
by these heavy arms of mine?
do my words weigh you down?
i havent met
love letter to the state of florida by successwithhonor, literature
Literature
love letter to the state of florida
1.
i am not in love with you.
i left you when the leaves turned and i'm back for now,
but only 'til i muster the strength to hoist my bags & run away
for good.
believe me, it's not that you're not paradise,
because i've had my fair share of briny breezes & tequila sunrises
and i too have caught myself with my toes in the sand for a tad
too long.
blinding white is just too opaque for glass houses and you know
the way the sun shines at midday, that'll melt your face right off
if you stare long enough--
trust me, i know a guy.
2.
last saturday i saw your face on the cover of a national geographic
at the doctor's office,
they caught you
Hear me perform it on youtube.
We are not more
than each other but
I bul-lieve
virginity is a childhood disease;
I know
because my friend tells me
I won't find a way to keep it.
So I do keep it.
You are not more
than me, yet
I bully you:
'sex is an adolescent dream.'
You know
because your friends tell you
that you will hold someone
close enough to have it.
So you hold someone closer.
And it doesn't bother me
that I twitch from the grief,
wince from my gut and ground
my teeth for the truth;
I do those things because
this thought makes sense to me:
I think I'm more
than you.